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Luv, this reviewer....he KNOWS what his talking about.
Jan 31, 2007
Reviewer:
Jim in Nashville (Nashville, TN, USA) - See all my reviews
One of the best pop debut albums I've heard in years, "Katharine McPhee" has something for everyone: Catchy pop numbers, club anthems, power ballads, and powerful blues ballads. Throughout, the strikingly beautiful runnerup to the talented (and underrated) Taylor Hicks in the 2006 American Idol competition is in top vocal form. By the time you are halfway through the album, she's delivered several potential hits, and given you more than your money's worth. And the second half is as good as the first. In the process, she demolishes any suggestion that her talent is limited to singing syrupy ballads while her dad tears up in the front row. Track-by-Track: 1. "Love Story" is a rousing, if somewhat routine rocker that opens the show with a sign this singer has gone in a new direction. 2. "Over It," the co-released single, is an early candidate for the year's top pop song. With several solid hooks embedded in an intricate vocal arrangement, the song connects with countless thousands of teenage girls as Katharine declares her freedom from a dominant boyfriend. "I'm over your hands, and I'm over your mouth, trying to drag me down and fill me with self-doubt." The song is undeniably catchy. 3. "Open Toes" is a delightfully uninhibited celebration of airheaded teenage materialism, and the joys of --- shoe-shopping! Eminently danceable, the song isn't meant to be taken seriously, in fact I can't imagine why a nation of erudite reviewers hasn't at least speculated that Katharine is engaging in some self-deprecating humor. By the time she announces, almost deleriously, that "If I'm feelin down, then I go out, and shop 'til I drop everywhere that I want. Nothing feels better than spending my treasure on me, finally, I'm where I'm s'posed to be", I think the Kat *should* be out of the bag. 4. "Home" is a solid power ballad, and Kat sings the lower notes, which occasionally tripped her up on American Idol, with conviction and artistry. Like Mariah, but somehow more convincing. 5. "Not Ur Girl" is another of those "girl power" anthems ("I'm not your girl,and I'm not leaving with you just because you asked me to"), delivered with a driving rhythym. 6. "Each Other" is what (eons ago) used to be called a "cheek to cheek" song -- perfect for slow dancing, with a nice melody and nicely arranged background vocals. 7. "Dangerous" is a strong pop number. "He'll steal your heart away, and run away," she announces, lamenting that "I wish I knew what I know now, I swear it never would have went down". She doesn't ramp up the intensity quite as much as I'd like, but overall it's a solid effort. 8. "Ordinary World" is, in Katharine's hands, quite extraordinary. If you think her performance is routine, write down the lyrics, listen to the melody, and imagine Christina Aguilera singing it. Then listen again. You'll realize how much extra Katharine brings. 9. "Do What You Do" may seem contemporary, but to me it sounds like countless songs I danced to in packed clubs in the crazy 80's. I can't go back, but this song almost got me there. It's OK. 10. "Better Off Alone" is a blues ballad. Kat powers into it, very convincingly. Of all the songs in the album, this fits her vocal range best. 11. "Neglected" is one of the best songs on the album. Instrumentally and vocally, the arrangement is simply superb, and the chorus line has a hook that could make this one a hit single. The melody simply stays around, and won't leave. Also great "cheek-to-cheek" material. 12. "Everywhere I Go" is a Mariah Carey type number. But Mariah Carey is no McPhee. Carey has greater range and self-assurance, but McPhee delivers more of the elusive emotional connection that sells a song, rather like Karen Carpenter or, a generation before, Connie Francis. Something in the warmth of her voice, the timbre, gives her that special edge. Her youthful willingness to take chances makes her more unpredictable and occasionally erratic, but for this listener, vastly more appealing. This album is a rarity. There are several potential hit singles, no truly bad songs, and only one, Dangerous, that sounds like the artist is holding back anything. With her rare combination of unaffected likability, great pipes, almost supernatural beauty, and growing artistic range, Katharine McPhee is clearly positioned to become America's next pop superstar.
http://www.amazon.com/Katharine-McPhee/dp/B000IY04RM/ref=pd_ts_m_6/105-6508807-2396404?ie=UTF8&s=music