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 Katharine McPhee & Elliott Yamin - Real Love (Radio Edit) - Single - Real Love Get "Real Love" radio edit!
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Subject: CAROUSEL LONG VERSION OF IHN (Accsess hollywood 11-04-06)
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Username: yumkatyum
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11/05/2006 5:36 PM Alert 
I just watched both downloads, and I think the Google quality is far superior to Sendspace because when I watched it first on Sendspace, Kat's voice sounded like she was straining to hit some of the high notes..Then I watched it back on Google, and it sounded much crisper and smoother. I'm glad we got to see most of the performance..Kat really put a lot of feeling and intensity singing I Have Nothing..I still prefer the version she sang on A.I., but this was a stellar rendition as well. I love the runs she does toward the end, and the little improvised final line Kat dedicated to Whitney is touching.

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11/05/2006 5:51 PM Alert 
AMAZING!!

The first time I watched this, I thought the guy in audience grooving to the music was Russell Crowe.
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11/06/2006 4:10 AM Alert 

If there's a thread on this in the chat I'll comment more over there but...all I have to say is the last 20 seconds (the part after she pauses for a second or two to catch her breathe...at least that's what it looks like to me) of that was the best thing I've ever heard from Katharine (and that's saying a lot).

Anyway, just fantastic.  How long was this performance in reality?  The recorded Whitney version is almost five minutes.  Was Katharine up there that long?  She looks like she was ready to fall to the floor at the end of that.  She really gave it everything she had.  Wonderful, wonderful, wonderful.  Although I did think her voice wobbled slightly in the middle.  I haven't listen to the enhanced audio version yet though.  I noticed a difference between the Google & YouTube versions so maybe that'll be gone in the enhanced version.  Because in the YouTube version I thought the band was too loud...the Google version, not so much.  Or maybe that was the downloaded one.  Whatever.

Katharine was GREAT! 


"I saw Katharine McPhee when there were about 12 contestants left on American Idol. She blew me away. I loved her grace, her style, her poise, her voice and her hair! I wanted her to be the face of Sexy Hair because she represented everything that I had in my head for the brand: youth, beauty, talent, class, a young sophistication, and sexiness." -- Jim Morrison, CEO of Sexy Hair Products.
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11/06/2006 8:31 AM Alert 

I'm standing on my credentials as a bona fide nutcase Katfan here, so don't throw any tomatoes,
but honestly, I don't think Whitney was passing any torch to anybody, no matter how good. She's
trying to make a comeback, after all, not go lie down and die. She's Whitney. Her voice in her prime
should have been officially designated the eighth wonder of the world. Katharine is carving out her
own McNiche in the world of popular music, and it's not one recently vacated by Whitney Houston
or anybody else. It's her own.

Link. http://accesshollywood.com/insideaccess/contactus/

 

You might want to send them a little note thanking them for providing this and perhaps requesting
the WHOLE thing, including that spine tingling first line "Share my life..."  I'd plug Depends here
if I didn't think it would be in questionable taste...   This song just shivers my timbers,
wherever and however she does it.


katpedia.com - watch and listen to Idol, pre-Idol, and post-Idol McPhee performances all in one convenient location

"And everything around her is a silver pool of light... She makes you calm, she holds you captivated in her palm"
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11/06/2006 11:19 AM Alert 
Groucho....my friend...you and your words of wisdom. Yes I also agree (so no tomatoes from me) that Whitney is just acknowledging the warm welcome everybody is giving her for coming back. She appreciated Kat for what she's done and just had to say Thank you.

I agree that the beginning of the song..."Share My Life" is soooo good and as Groucho puts it.."spine tingling" and mine would be "knee buckling" is worth the request for access hollywood to show.
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11/07/2006 12:51 AM Alert 
OH, WOW!!!!   I'D AGREE WITH WHITNEY, THE SUPERSTAR!

SHE LED THE STANDING OVATION, HERSELF!!!!!

We are definitely working together -- working on a record together. She sings so magnificently, it's just amazing -David Foster-


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11/07/2006 2:29 AM Alert 
I listened to the song on Google. Unfortunately, we don't have the whole song, and the sound is not the best. It is set in a higher key than she sang on AI, which ended in the key of A, and the high note was an E. This ends in a higher key, in B major, and the high note is an F#. So it is a whole step higher. Katharine manages the higher key well. By the way, it is the same key that Whitney ends on too. It sounds like Katharine has been training on her high notes.
I listened again to her AI performance, and two of Whitney's. It is been a while since I have listened to the AI performance, but I am even more impressed with it now. She sings beautifully, and does not overpower the song. She is physically appealing, and is convincing singing the song. She is about the right age for it, and is winsome, and has passion but also confidence that she can keep her lover, and has the sex appeal to do so. The Carousel Ball version seems more desperate and intense, although we don't have the whole song to judge.
Whitney is definitely a great singer, but she is so powerful and confident in her vocal presentation that it doesn't quite fit the song, which requires some vulnerability.
This has been mentioned so much before, but again the judges' remarks were way off the mark. Katharine's performance was flawless, and IMO she bested Whitney. The further away from the reality show atmosphere, the better her performances appear now, her youthful radiance comes through, and I hope that she can maintain that.
The clip of Katharine with Foster and Bocelli is great to watch.
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11/07/2006 8:17 AM Alert 
David Foster is accompanying her at the piano, and it is his song, he wrote it. On AI, he is very complimentary of Katharine, and he seems to be highly critical and hard to please, so that means something. Isn't that song "The Prayer" that she sings with Bocelli, also written by David Foster?
It is great that Katharine is getting the support and recognition on IHN that she deserves, being accompanied by the songwriter himself, having Clive Davis ask her to sing it, and Whitney giving her a standing ovation, and Bocelli singing duets with her. The judges' remarks sways the opinions of listeners, and if she had performed that song at the finale as her last song, and received favorable critiques from the judges, she might have ended up winning the competition.
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11/07/2006 8:40 AM Alert 
On the AI clip, Foster who is right there next to her, wonders if she could sing opera, and Bocelli says that her voice is powerful and clean, and she breaks into the song "The Prayer" singing it in Italian (or Spanish?), and later we see Bocelli singing it with her. She was singing it from memory and on the spur of the moment. She took full advantage of the opportunity to be in front of Foster and Bocelli, and show what she could do. I wonder if Foster and Bocelli spoke to the judges after they gave their critiques, and voiced their objections, and prompted Simon to apologize.
I watched her AI performance one more time. She could have recorded that performance, it was that good. Fortunately, we have it on video to enjoy.
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11/07/2006 10:26 AM Alert 
I just watched some of her AI performances again after not seeing them for a few months, and she still impresses. She is so good. This girl can sing. I would really like to hear her sing the whole song for "Only Have Eyes for You", and "The Way You Look Tonight," that she sang for Rod Stewart.
Those AI performances are too good for AI, they deserve an Emmy. I wonder how Katharine can top some of those performances, that any professional singer at the peak of their career could be proud of. Katharine deserves her own weekly TV variety show, like Dolly Parton, Dinah Shore, Cher had. Maybe that is the vehicle that could really do her justice.
I am a little concerned about Clive Davis getting his hands on her. I don't think AI treated her that well, and didn't appreciate what they had. And I am a little concerned about her getting too mixed up in the Hollywood scene. She could replace Jessica Simpson, and has the glamour look. But that can't substitute for serious artistic achievement. I would really like her to do an album of the standards, while she is young and fresh, while she has that pure and clean sound. It seems that most singers wait until their career is in decline before singing them, and are not believable anymore singing those innocent romantic songs. Or a role in a musical, Broadway or film.
It is amazing how easily she can slip from one genre to another, and shift her persona slightly from song to song, and still maintain her individual sound. She resembles Barbra Streisand, although Barbra would shift more dramatically, she did that movie On A Clear Day, where she portrayed different characters from past lives. We still don't know what direction she is going to take. She could go the pop opera route, with a little more help from Bocelli and possibly more training. She is only 22 ( or is she 23 now) and her voice is still maturing.
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11/07/2006 11:26 AM Alert 
I thought the best parts of this performance were shown on the Hollywood entertainment shows the week prior to this Access Hollywood release of the more complete version.  What worked best  for me was a  couple of the power notes that  are awesome, audibly  better than the American Idol versions of same and the "intimate vocal" sequence added at the end was Katharine at her mellifluous best.

Comparing this to her American Idol performance is an interesting exercise but ultimately an exercise in futility, I fear.

 I'm not sure her highs are better because of additional training in that area or the fact that she didn't have the weight of the world's eyes on her and had a calmness that gave her superior breath control, but certainly better to my ear.  Her lack of time for rehearsal resulted in manifest  breaks in the performance that, I think, mar it.  The two most glaring would be:

1. Katharine  is singing a lyric and then quickly changes the pacing of it to try to fit it in before the band moves on to the next part of the song.

2.  Katharine all but stops and turns to the back up vocalists.  Some suggested, with good  evidence from the video, that the backups may have sung into unamped microphones at that  point and Kat expected backup.  Kat gets a wry smile on her face and continues.  The back-up singer  on  the middle stool says, "Sing it, Baby!" encouragingly soon thereafter.

So being told that you are getting switched from a song that you mastered while performing it in  concert  all summer long  to a power ballad monstrosity like I Have Nothing on a couple hours notice is not exactly an ideal scenario, to say the least.  All and all, I would say she did a good job with it. Moreover, rendering judgement of a live performance from video clips is a dubious propositon as I found over the summer of the Idol Tour.  Video may not lie (it really does) but  the soundtrack of a video is no way to judge a live singing performance.  How it sounded to the the people in attendance at the  Carousel of Hope event is ultimately all that  matters on this type of performance.

The music for The Prayer was composed  by Carole Bayer Sager & David Foster (credited in that order) and the lyrics are in Italian by Alberto Testa & Tony Resta.

Katharine was very opportunistic and charming with all the musical guests on American Idol 5 not just David Foster and Andrea Bocelli, although they were clearly smitten.  She has a way of taking her extreme nervousness and, rather then becoming mortified or reticent like many  people would, becomes very bubbly and outgoing.  That is very much a strength for a performer and you can see this characteristic behavior  of Katharine on display time and again during the AI5 run.

A couple words on the "judgement" of the I Have Nothing from AI5.  Randy and Simon made judgements that were unfair because they were in direct conflict with what has been espoused as being a tenet of a good American Idol performance: bring something new to the song.

Katharine cleverly  sang a David Foster song, that Whitney also happened to  sing, and she very much made it her own.  Her interpretation of this song was an angry, almost raging at times,  interpretation.  And it is a very, very  different version from Whitney's calm almost a woman-laying-out-the-facts-in-a-relationship version.  In addition, Katharine's  vocals were outstanding for an American-Idol-type performance and  Randy and Simon were wrong, period.  Katharine's vocals are better on IHN than most of the highly praised performances in Idol's five year  history.  She may have covered "a Whitney Houston" song but she made it her own and sang it well that in itself should preclude most, but not all, the judgements given that day.

However, IMO, Paula was right (and refused to be forced into apologizing en masse the next day) because  she cut right to what was wrong with that performance (and selected other performances by Katharine during AI5).  The big power notes ("fall flat") and take on a slightly harsher edge as Katharine battles with holding them as required by this monster of a song wrought by the pen of Mr Foster.  What I find disturbing is why Paula chooses this moment to bring it up, she had praised Who Wants To Live Forever which had the same problem in spades and then criticized Kat when the the problem was clearly less glaring, which always has made me wonder if Paula wasn't repeating criticism that a vocal coach had told her, nevertheless, I think it was valid here too.

BTW, she hits the power notes in a higher key six  months later at the Carousel event, so it was either her nerve-induced breath issues or maybe she really wasn't in top voice at any point  during most the run of AI5.  Remember, she ruptured the  blood vessel in her  vocal chord prior to her first version  (TOP3) of SOTR and made all her Bocelli concert dates and the Jam recordings with the unhealed injury, treated with cortisone.  So she sounds good even when not in her best voice.

About Foster or Bocelli speaking to the judges,  I'm not sure but I have read that a  tearful Danny McPhee went to the judges table to talk during the commercial break immediately  after the counsel of three passed  judgement on Katharine's IHN   According to an eyewitness account made a day after the broadcast, Randy and Simon saw him coming and bailed but Paula stayed and listened and all he wanted to know was, "How could you do it to her?"  (I think the more interesting question is, "Why would  they do it to her...to what end? because it wasn't the performance.) 

Oh, enough talk.

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11/07/2006 11:39 AM Alert 

American Idol isn't a singing contest, it is a reality show about a singing contest.

If you watch the AI segment with Foster and Bocelli carefully, you see Foster pushing Katharine to perform the little operatic "Prayer". I think they had arranged it beforehand. He say's "Do you think she could do opera too"?

Nothing wrong with that at all.

Funny though that now Foster claims it was entirely Bochelli's realization that Kathiaine was special. I think he is just aware of the myth/legend that is going to grow up and it sounds so much better if Bochelli "discovered" Katharine all by himself.

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11/07/2006 12:02 PM Alert 
Posted By Pheenomenon on 11/04/2006 8:32 PM

http://video.google.ca/videoplay?docid=-4124957521935530164she can give you goossies, that was remarkable, she is getting lots of training, from the best, wow look at carrie underwood last night, best vocalist of the year, I can only see kat, doing the same, her voice is one of the kind.

HQ Streaming version



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11/07/2006 1:44 PM Alert 
Posted By CRB on 11/07/2006 11:26 AM
I
Katharine cleverly  sang a David Foster song, that Whitney also happened to  sing, and she very much made it her own.  Her interpretation of this song was an angry, almost raging at times,  interpretation.  And it is a very, very  different version from Whitney's calm almost a woman-laying-out-the-facts-in-a-relationship version.  In addition, Katharine's  vocals were outstanding for an American-Idol-type performance and  Randy and Simon were wrong, period.  Katharine's vocals are better on IHN than most of the highly praised performances in Idol's five year  history. 


You got that right. 
Katharine is believable when she sings it.   She comes across as a woman in a relationship very much in love and passionate, but the relationship has reached a turning point, but hasn't broken up yet, and yes she is angry, but also still confident that it will work out, and still has the charm and appeal to keep her lover.   It helps too that she is young and beautiful and wearing that yellow dress.  The song works.  Katharine is convincing, and except for Randy and Simon, any man watching would want to share their life with her, and stick with her.   I don't get that feeling from Whitney.  She doesn't convince me that she needs that relationship with a strong, powerful voice like that.
If there are any technical faults on her high notes, I don't notice it, any straight tones and sliding notes convey a cry and vulnerability so it fits the song. 
Whether the Prayer duet with Bocelli was planned or not, Katharine must have known the song already, and lead to her future performances with Bocelli.  Yes, Katharine is very charming in those rehearsals.  She comes across as a dorky, bubbly, girl-next-door, who is transformed into a glamourous, sophisticated torch singer on stage.  It is part of her appeal.  It is amazing how young she looks without makeup, and how vulnerable and sensitive and childlike she can appear, like the Doctor show where she talked about her bulimia.   She should try to get one of those girl/woman roles, like Gigi or My Fair Lady, or the Sound of Music, where she can play a girl who is transformed into a woman, while she is still young enough.  She has great potential if she can put all her talents together somehow.  She doesn't seem to have fully matured as a singer or artist yet, she has more potential than she has realized yet.  She is a rising star, who hasn't peaked yet, and it will be interesting to watch how her career develops. 

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11/07/2006 2:08 PM Alert 
WOW OMG!
THAT WAS AMAZING!

Katharine Mcphee sung that song like a true proffessional.  I really liked how she sang every note higher than when she had sung it on AI because then it sounds so incredibly beautiful.  I love hearing a voice go that high.  BRAVO KATHARINE! BRAVO!
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11/08/2006 2:46 AM Alert 

Woah...a couple things here.  CRB...nicely done there.  I'd never heard that full story about Daddy McPhee going up to the judges platform during the commercial break.  Anyway...I'm forgetting some of what I wanted to say um...oh, Paula's critique.  It is interesting that Paula was the most accurate one in her judgements that night since that rarely ever happens.  But, as you pointed out, the time it should have been pointed out how Katharine sometimes "falls flat" on high notes was after WWTLF.  Because it was more blatant that night.  You can notice it on IHN but it doesn't take away from the performance in my opinion.

And to say she didn't bring anything new to IHN or whatever Randy said.  He needs to listen to Whitney's version and then rewatch Katharine's.  Katharine turned that song into something totally different.  She sang it angry.  At least in the middle part on Idol.  She more opted for belting the middle part at the Carousel Ball over commanding it with anger like she did on Idol.

I'm splitting hairs on the two performances.  I like the ending on the Carousel more...I like the middle part on Idol.  The beginnings (what we saw of the Carousel one) are about the same.  It's a tough call.  I guess the surprise factor and the sheer memory-making moment that was the "yellow dress"....I'll go Idol...slightly.  But I loved the Carousel one as well.

And I also wonder what kind of shape her voice was in during the entirety of Idol.  She said she was dealing with allergies a lot during the show.  And has admitted that nerves got to her most of the time.  I remember her saying "Nobody sings their best on that show".  Something like that.  I think that was pretty obvious to anyone who went to the tour.  Everyone was better on the tour.  And that makes sense.  Seeing them live plus the lack of nerves from the Idols = better vocal performances.

Anyway...loved the detailed thoughts on this.  Very interesting.

Oh, btw.  She's still 22.  K's birthdate:  March 25, 1984.  She was born on a Sunday.  Just looked it up.  I didn't know that.


"I saw Katharine McPhee when there were about 12 contestants left on American Idol. She blew me away. I loved her grace, her style, her poise, her voice and her hair! I wanted her to be the face of Sexy Hair because she represented everything that I had in my head for the brand: youth, beauty, talent, class, a young sophistication, and sexiness." -- Jim Morrison, CEO of Sexy Hair Products.
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11/08/2006 2:10 PM Alert 

I'm Crying... well i was cryng the first time I saw it now I just stare at the monitor with a huge smile in my face.

She did it perfectly!!!!

Eat your words Simon Cowel!!!!!!!!

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11/08/2006 3:54 PM Alert 
I went to my friend's house last night and knowing that I LOVE Katharine, she mentioned that she'd seen this clip on Access Hollywood and that she thought it was just fabulous. Another Kat convert. One of the things I noticed about this performance is that Kat doesn't smile like she did on AI - I like it better when she sings this very serious song without a smile - just that beautiful and stunning face. I'm just so filled with emotion when I watch this performance. OMG OMG OMG ! ! ! !
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11/08/2006 4:11 PM Alert 
"Mellifluous" = flowing with honey or sweetness. Oh yeah. Whatever you think of the middle, she sure nailed that ending, if you can speak of nailing honey. Next I suppose I'll burst into song with "How do you hold a moonbeam in your hand?"

I always kinda wondered about that little "impromptu" duet. It was just too perfect. But it got everybody thinking in terms of more Bocelli/McPhee duets. I've never seen such a tease as those ten perfect seconds, which I must have played 50 times just because I loved the sound of it.

Does anybody have a clue why they set IHN up higher for the Carousel Ball? What is the point of pushing a singer who's had the kind of recent problems Katharine has had? They just happened to have sheet music in that key and the time constraints were too pressing? Stuff like that used to happen to my folks when they were touring with their bands at places like The Eagles and The Oddfellows halls around central Indiana, but this is supposed to be The Big Time!

katpedia.com - watch and listen to Idol, pre-Idol, and post-Idol McPhee performances all in one convenient location

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11/08/2006 9:51 PM Alert 
Posted By groucho on 11/08/2006 4:11 PM
"Mellifluous" = flowing with honey or sweetness. Oh yeah. Whatever you think of the middle, she sure nailed that ending, if you can speak of nailing honey. Next I suppose I'll burst into song with "How do you hold a moonbeam in your hand?"

I always kinda wondered about that little "impromptu" duet. It was just too perfect. But it got everybody thinking in terms of more Bocelli/McPhee duets. I've never seen such a tease as those ten perfect seconds, which I must have played 50 times just because I loved the sound of it.

Does anybody have a clue why they set IHN up higher for the Carousel Ball? What is the point of pushing a singer who's had the kind of recent problems Katharine has had? They just happened to have sheet music in that key and the time constraints were too pressing? Stuff like that used to happen to my folks when they were touring with their bands at places like The Eagles and The Oddfellows halls around central Indiana, but this is supposed to be The Big Time!


groucho, I suspect that  she sang in in the higher key for a couple reasons:

1.  That is the way Foster originally wrote it.

2. Katharine  was in such good place vocally  that she could sing it in that higher key.

3. Whitney would be impressed because she always lowered the key when she sang it live vis-a-vis her recorded version on CD.

As much as some people hate My Destiny, and I know a lot of Katharine fans do, I would so like to hear Kat sing a stripped down version, her and piano doing that song with Kat's voice in the shape she showed at the Carousel of Hope event.  Her highs are so much better now.  I know it will never happen but I think it would be amazing.
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11/09/2006 11:42 PM Alert 
Wow, sooooo amazing. Loved it!!!
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